romance has approached these three in power and interest. Why is it,
that, in an age pre-eminently historical, in an age so redundant of
novels, the historical novel is out of fashion? Partly, no doubt, our
romancers shun comparison with the mighty Wizard of the North; partly,
the analytic genius of our time so greatly exceeds its synthetic
genius; and mainly, the range of our historical learning inclines us to
restore the past by exact scholarship and not by fiction without
authority. George Eliot was so anxious to have her local colour
accurate that she ended by becoming somewhat fatiguing. Some day, no
doubt, the genius of romance will return to this inexhaustible field
with enthusiasm equal to Scott's, with a knowledge far more accurate
than his, and a spirit quite purged from political and social bias.
From the death of Scott in 1832 until 1894 are sixty-two years; and if
we divide this period into equal parts at the year 1863 (it was the
year of Thackeray's death), we shall be struck with the fact that the
purely literary product of the first period of thirty-one years
(1832-1863) is superior to the purely literary product of the second
period of thirty-one years (1863-1894). The former period gives us all
that was best of Tennyson, the Brownings, Carlyle, Thackeray, Dickens,
Bulwer, the Brontes, Mrs. Gaskell, Trollope, George Eliot, Kingsley,
Disraeli, Dr. Arnold, Thirlwall, Grote, Hallam, Milman, Macaulay, Mill,
Froude, Layard, Kinglake, Ruskin. The second period gave us in the
main, Darwin, Spencer, Huxley, G. H. Lewes, Maine, Leslie Stephen, John
Morley, Matthew Arnold, Lecky, Freeman, Stubbs, Bryce, Green, Gardiner,
Symonds, Rossetti, Morris, Swinburne. Poetry, romance, the critical,
imaginative, and pictorial power, dominate the former period:
philosophy, science, politics, history are the real inspiration of the
latter period.
The era since the death of Scott is essentially a scientific age, a
sociologic age; and this is peculiarly visible in the second half of
this era of sixty-two years. About the middle of the period we see how
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