Carried away by the witty fling, Oscar cried:
"I wish I had said that."
"You will, Oscar, you will," came Whistler's lightning thrust.
Of all the personal influences which went to the moulding of Oscar Wilde's
talent, that of Whistler, in my opinion, was the most important; Whistler taught
him that men of genius stand apart and are laws unto themselves; showed him,
too, that all qualities--singularity of appearance, wit, rudeness even, count
doubly in a democracy. But neither his own talent nor the bold self-assertion
learned from Whistler helped him to earn money; the conquest of London seemed
further off and more improbable than ever. Where Whistler had missed the laurel
how could he or indeed anyone be sure of winning?
A weaker professor of aesthetics would have been discouraged by the monetary
and other difficulties of his position and would have lost heart at the outset
in front of the impenetrable blank wall of English philistinism and contempt.
But Oscar Wilde was conscious of great ability and was driven by an inordinate
vanity. Instead of diminishing his pretensions in the face of opposition he
increased them. He began to go abroad in the evening in knee breeches and silk
stockings wearing strange flowers in his coat--green cornflowers and gilded
lilies--while talking about Baudelaire, whose name even was unfamiliar, as a
world poet, and proclaiming the strange creed that "nothing succeeds like
excess." Very soon his name came into everyone's mouth; London talked of
him and discussed him at a thousand tea-tables. For one invitation he had
received before, a dozen now poured in; he became a celebrity.
Of course he was still sneered at by many as a mere "poseur"; it still seemed
to be all Lombard Street to a china orange that he would be beaten down
under the myriad trampling feet of middle-class indifference and disdain.
Some circumstances were in his favour. Though the artistic movement inaugurated
years before by the Pre-Raphaelites was still laughed at and scorned by the
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