Stories from the Old Attic

	



The Art of Truth

Once upon a time a famous art museum searched the world over for the 
best paintings it could find.  After a long search, the museum found 
a beautiful Old Master painting depicting youths and maidens 
frolicking in a wood.  The directors were only too glad to pay 
millions for this painting because they were captivated by its 
beauty and elegance.  How delightfully the maidens' hair and mouths 
were drawn, how perfectly the hands and arms of the youths, how 
life-like the bare feet on the forest floor.  But the curator of the 
museum was the happiest one of all, for he had now become guardian 
and protector of a famous work by a famous painter.  "Every time I 
look at that painting," he would say, "I see new beauties and 
excellences.  Just look at these leaves here, the sweep of the 
branches from this tree, capturing just the hint of a breeze and 
seeming to vibrate with the music from the dance of the youths 
and maidens in the clearing.  My very soul resonates with the 
greatness of it all."

Needless to say, this wonderful painting was the most popular 
exhibit at the museum, providing instruction and delight for 
thousands of visitors.  Everyone, from the young child who could 
barely walk to the old man who could barely walk, enjoyed its beauty 
frankly and openly or profited from studying its color and 
arrangement.  Children loved to see the happy figures kicking up 
their feet with joy; the young people marveled at the freshness and 
beauty of the figures; those of mature years stood astonished at the 
excellent technique that could present such a convincing vision; the 
old remarked upon the feeling of cozy intimacy produced by the scene 
of innocent pleasure.

"This painting is almost too good to be true," remarked one visitor 
prophetically as he purchased a print of it.

One day a horrible discovery was made: the painting was not a 
genuine Old Master after all.  It was a forgery.  It had not been 
painted by the famous artist whose name was on it, and in fact it 
had been painted within the last ten years.  The museum directors 	
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